Monitoring
System A
ATC SCM20 ASL Pro MKII Active closed cabinet satellite [ L+R ]
Dynaudio BM14S MKII Active closed cabinet sub [ M ]
Our prime monitor system. Delivers breathtaking details from over the top frequencies down to the infra sub domain. Calibrated up to 100 dB power.
System B
Dynaudio BM5A MKI active ported satellite pair [ L+R ]
Dynaudio BM9SII active closed cabinet sub [ M ]
Our mid tier monitor system reveals the information loss experienced on average hifi systems. Useful when comparing to the lossless transmition.
System C
Yamaha HS50m active ported satellite [ L + C + R ]
Tapco SW10 active closed cabinet sub [ M ]
The low cost monitor system acts as the bottleneck. Like a failsafe checkpoint to look for translate factor errors.
Outboards
19' Rack Series
Bettermaker Mastering Limiter
The ultimate mastering processor to finetune the track
We Love: the invisible clean sound. The console sound emulation and the other tricks we make with it’s analog feedback equaliser.
We use it for: mostly clipping as the two stage soft to hard clipping is a true game changer when the track needs to be pushed.
500 Series
SSL 611EQ
Classic SSL sound with surgical precision and sharp highs.
We Love: well known character which instantly reveals as soon as you start applying it on your channels, it just sound like the techno we grew up on.
We use it for: the surgical precision we get is very useful when finetuning a mix
Elysia Mpressor
Modern VCA compressor, limiter, clipper and distortion
We Love: it’s unbeliveable fast attack times and the THD mode. A real cameleon as it can act like an SSL G Bus or a 1176 style but can be faster than both.
We use it for: the clean and contured sound combined with auto attack or as a soft clipper
Neve 542
Tape saturation and vintage console sound
We Love: baking the sound with Silk Red / Blue transformator feedback circuitry. Taming harsness with tape coloration.
We use it for: better translate factor by the harmonics, shave off peaks with saturation and to inject magnetic tape sound
API 550b
Classic API vibe with forward mids and soft highs.
We love: classic transformator sound API is known for and the dimension it gives. The sweet low end. The never harsh high boosting capabilities.
We use for: both as a program eq and for bus processing or mastering
KUSH Clariphonic
The final touch to make the mix shine with a polished topend
We Love: the high end sound with enough options to fit every mix and how it stays invisible yet a noticeable magic in the overall picture.
We use it for: opening up the sound, give clarity and definition to a mix
Instruments
The iconic bass sound of Moog with the one and only ladder filter. Analog feedback and external input options makes this beast so
versatile we use it quite often to boost up the VST sound with the real analog filter to add weight and meaning.
Raw, epic, beautiful, powerful, raging, primal. 4075 is an ancient analog dragon with a rough skin but with a warm heart. Delivering the sought after high end analog sound only a few capable of.
Deep grooves straight from Berlin.
The MKII version brings the good old analog vibe but spiced up with a sampler engine. Very useful when some elements needs retracking.
The legacy reborn.
Prophet’s strenght is the evolving pads and layered sounds that gives the atmosphere to the music by breathing soul in to the sound design.
Effects
Strymon Bigsky
The ultimate reverb multieffect machine. Adds more dimension to dreamy pads and atmoshperes. Advanced algorythms for creative sound design. Lifts up or puts in the background your sound. Creates layers of space.
Strymon Timeline
All the classic delay algorythms you’ll ever need. We can’t imageine a synth line without a proper delay line and in most cases this is the one you hear on countless records. Became the modern classic thru the years.
Strymon Volante
This is a very unique tape delay effect. The analog input gainstage is a beauty on its own. The creative possibilites paired with the well known quality makes it very desirable. We use it for mono sources as it sums up the left+right channel to mono on the input stage.
Modular
This module is the ultimate effect machine consiting of an advanced tap delay that can be programmed by steps and a separate combfilter. Both sections parameters can be tweaked or automated. From spatial to psychoacoustic effects anything can be programmed into this computer, not to mention the classic effects spiced with a modern twist.
This is the ultimate multimode filter that can be utilised as an universal high end addon on every sound that needs some analog beef up.
This advanced oscillator module is known for its unique sound design capabilities which can be used in a variety of situations from raging drum&bass hook lines to epic trance anthems.